Skip to main content

TRUNKS, SATCHELS AND THE US POSTAL SERVICE

 TRUNKS, SATCHELS AND THE US POSTAL SERVICE: Book Distributors and Store Owners Tell Their Stories About Getting Black Books into the World By Any and All Means Necessary is one of the panel discussions that is a part of the  African Americans and Children's Literature: A Symposium and Exhibition which is scheduled to take place on March 2, 2024 at 2pm. The presenters include Courtland Cox, Paul Coates, Vanessa Williams,  Shirikiana Gerima, and Kojo Nnamdi.  


"Courtland Cox is President of CCAP Consulting, LLC, which was incorporated in the District of Columbia in July 2011.


Presently, Mr. Cox is part of the DCPEP team that works with the Department of General Services (DGS) of the District of Columbia Government. As part of the DCPEP team, Mr. Cox is responsible for making sure that there is compliance with federal and District law pertaining to CBE and workforce participation on all DGS projects. In 2009, Courtland Cox served as a Consultant to the Office of Public Education Facilities Modernization (OPEFM) and was responsible for the participation of businesses and workforce participation in over $1 billion in the construction, rehabilitation and maintenance of schools in the District of Columbia. Mr. Cox has also served as a consultanct with the Hensel Phelps Construction Company to ensure that District residents and District businesses participate in the approximately $400 million Marriott Marquis Convention Center Hotel construction project.


From 2004 until 2008, Courtland Cox served as the Director of Small, Local, Businesses Development for the DC Sports & Entertainment Commission (DCSEC) to ensure small business and District workforce participation in the construction of the approximately $900 million Nationals Baseball Stadium. During the construction of the ballpark project, he was responsible for the compliance of a Project Labor Agreement (PLA), and all Federal and District laws. During this period, he also was also a consultant to the Anacostia Waterfront Commission an agency charged with the development of the District’s Southwest Waterfront. From August 2001 until September 2003 he worked as a consultant to the Joint Center for Political and Economic Studies and from 2003 until February 2004 he served as a senior advisor to the ASABA Group."

"W. Paul Coates is the founder and director of Black Classic Press, which specializes in republishing obscure and significant works by and about people of African descent. A leader in the field of small publishers, Coates founded BCP Digital Printing in 1995 to produce books and documents using digital print technology.


Coates formerly served as an African American Studies reference and acquisition librarian at Howard University’s Moorland-Spingarn Research Center. He is a graduate of Clark Atlanta University (M.S.L.S.), and Sojourner-Douglass College. A former member and Maryland State coordinator of The Black Panther Party, he was instrumental in the establishment of the Black Panther Party Archives at Howard University.


Coates is co-editor of Black Bibliophiles and Collectors: Preservers of Black History (Howard University Press, 1990). He formerly owned and operated The Black Book (1972 ’ 1978), a Baltimore-based bookstore. His experience with the purchase, sale and collection, and publishing of books by and about Blacks is a love affair that has continued for more than three decades. "

"Vanessa Williams is a student and practitioner of all things critical pedagogy, with a special appreciation for social studies and literature. She holds a B.A. in Anthropology with a minor in Education from Davidson College; she also has a  M.S. Ed in Education, Culture, and Society from the University of Pennsylvania Graduate School of Education. Vanessa taught secondary ELA and social studies for six years before becoming the program manager for D.C. Area Educators for Social Justice, a project of Teaching for Change. She serves on the D.C. History Conference planning committee and has been featured on panels for the Mid-Atlantic Equity Consortium. Vanessa’s writing is published in Rethinking Schools and Education Post."

"Kojo Nnamdi, Rex Orville Montague Paul, better known as Kojo Nnamdi, is a Guyanese-born American radio journalist based in Washington, D. C. He is the host of The Kojo Nnamdi Show and The Politics Hour on WAMU, and hosted the Evening Exchange broadcast on WHUT-TV from 1985 to 2011. "


"Shirikiana Gerima is an independent filmmaker in Washington, DC where she resides with her family.  She was born in Detroit, Michigan where she worked as a young person as a news announcer on WJZZ radio and volunteered with Project BAIT (Black Awareness in Television).  She received a BA in Radio. TV and Film at Howard University, and a MA in African Area Studies at UCLA.  She has taught film at Howard University, and is currently executive director of Positive Productions, a film services organization for independent black filmmakers.  With her husband Haile Gerima, Aina co-founded Mypheduh Films Distribution company and Negod Gwad Production company.  They have co-produced several films including: SANKOFA, THROUGH THE DOOR OF NO RETURN, FOOTPRINTS OF PAN AFRICANISM, BRICK BY BRICK, STERLING BROWN: AFTER WINTER,WILMINGTON 10-USA 10,000,TEZA, ADWA,ASHES AND EMBERS. Shirikiana and Haile co-founded Sankofa Video and Bookstore in Washington, DC, which specializes in books by and about people of African descent.  Shirikiana also has won numerous awards including Grand Prize, Documentary, Luxor Film Festival Berlin Film Festival ( Sankofa) Best Cinematography, FESPACO, Burkina Faso, Juror’s Discretionary Award in Film, Three Rivers Arts Festival, Black American Cinema Society, Honoree, Women in the Director’s Chair, AFI Awards, Community Choice Award, National Black Media Consortium, Prized Pieces. She is a scuba dive master, and an instructor with Youth Diving With a Purpose, an organization that trains young people to be marine archaeology advocates by mapping shipwrecks. Shirikiana is a proud mother of six and grandmother of two. "

Popular posts from this blog

Aziza Gibson - Hunter

 I met Mama Aziza when I was a student at NationHouse. I was 2 at that time. Years later, in 2005, she invited me to participate in the James A. Porter Colloquium from April 14, 2005 - April 16, 2005 which took place at Howard University.  "“Aziza” Claudia Gibson-Hunter was born in Philadelphia, Pennsylvania. She graduated from Temple University, (BS), and received her MFA from Howard University. Aziza attended Bob Blackburn’s Printmaking Studio, the New York Arts Students League, and later received a fellowship from the Bronx Museum of Art. She joined “Where We At“, a group of Black women artists in the early 1980’s. Ms. Gibson-Hunter was an administrator at Parsons School of Design and a faculty member at Howard University, and Bowie State University. Ms. Gibson-Hunter has received multiple awards and shows nationally and internationally."

Fluid Symbolism Palette

  Fluid Symbolism Palette. Digital art created on canvas. October 10, 2024. Afrika Abney  When I create my digital abstract painting, it is important that I ensure that the colors are not overpowering one another and that each color's symbolism is conveyed through harmony and fluidity of brush technique. In this abstract digital painting, I used vibrant colors. Each color depicts a specific meaning.  Purple represents dignity, while yellow represents optimism. On the other hand, gold-ochre and orange represent creativity. Lastly, red represents determination. 

Professional Palette

  Professional Palette. Digital art created on canvas. August 14, 2024. Afrika Abney Throughout my career, I have gained extensive experience in conventional environments as a professional visual artist and art consultant. At this stage in my life, I am not interested in pursuing a romantic relationship with any single man who is over the age of 30. My primary concentration lies in the realms of branding and digital art, where I aim to offer my expertise as a professional visual artist and art consultant. My approach to digital art involves the integration of diverse artistic elements, which I skillfully manipulate using advanced digital software. This allows me to create unique and compelling visual pieces that resonate with audiences. I am dedicated to refining my craft and exploring new techniques that enhance my artistic expression and the overall impact of my work. As I continue to develop my professional identity, I remain committed to providing high-quality services in visua...

Tranquil Gray

  “Throughout my years as a student, spanning from 1978 to 1997, I cultivated a variety of character traits that have significantly shaped my personality. Among these traits, the color light gray serves as a poignant representation. This particular shade embodies a sense of tranquility and simplicity, reflecting a hopeful outlook that has accompanied me throughout my educational journey. The period of my academic life was not just about acquiring knowledge; it was also a transformative experience that fostered the development of my character. Light gray, as a neutral hue, symbolizes the calmness I sought during challenging times and the straightforwardness. This color resonates with the essence of my experiences, encapsulating the balance I strived for in both my studies and personal growth. As I reflect on my time when I was a student, the traits I developed are intricately linked to the qualities represented by light gray. This color signifies not only a serene disposition but al...

Graceful Shadows

  Graceful Shadows.Digital art created on canvas. August 16, 2024. Afrika Abney  In my exploration of my digital abstract painting, I delved into the interplay between light and shadow. This dynamic relationship serves as a foundation for the piece, creating a visual dialogue that invites viewers to engage with the contrasting elements. 

Dating Ethics

Dating co-workers in professional work settings is inappropriate. When employers hired me to provide a specific service from 1995-2018, I will always remain professional. I do not believe in dating my former co-workers of the opposite sex. I will remove myself from the setting first when I have noticed that I developed such attraction. Making a bet and bribing co-workers to go against their standards is unethical. If you have an interest in me, then you should have asked for my contact information. Numerous people do not know me at all. Contact me only by phone at 202-384-5925 Preference - single straight male over the age of 30 I no longer provide educational, career day and free services. It is not the past and I am not interested in dating women nor boys.

Dark Tones

Dark Tones. Digital art created on canvas. August 24, 2024. Afrika Abney

Blogging in Color

Blogging in Color.Digital art created on canvas. August 26, 2024. Afrika Abney The act of blogging about abstract art provides a platform for me to discuss the techniques that I utilize to express my ideas and emotions. Each brushstroke, color choice, and form can be dissected to reveal the thought processes and inspirations that drive the creation of abstract pieces. By sharing insights into these artistic methods,I can help viewers understand the complexities of abstract art. Through the lens of blogging, I can effectively communicate the rich narratives that accompany abstract art, as well as the various techniques that I employ to bring my vision to life. This medium allows for a dynamic exchange of ideas, where personal interpretations and critical analyses can coexist, enriching the overall understanding of abstract art. By fostering a community of art enthusiasts and practitioners, my blog serves as a vital tool for promoting awareness and appreciation of the evolving landscape...

Tranquil Tides

In my journey of establishing a brand for my digital abstract art, I have employed a variety of effective strategies. One of the key approaches has been to actively engage in networking, which has allowed me to connect with other artists, art enthusiasts, and potential clients. This interaction not only broadens my reach but also fosters a sense of community around my work. Additionally, I have prioritized authenticity in my artistic expression, ensuring that my creations genuinely reflect my personal vision and emotions, which resonates with my audience. Consistency has also played a crucial role in my branding efforts. By maintaining a steady output of artwork and adhering to a recognizable aesthetic, I have been able to cultivate a distinct identity within the digital art space. Furthermore, I have developed a unique abstract style that sets my art apart, allowing me to carve out a niche that appeals to both collectors and casual viewers alike. Overall, these strategies have not onl...

Color Impact

  Color Impact. Digital art created on canvas. August 22, 2024. Afrika Abney  As a digital artist, I specialize in utilizing dominant colors to create compelling abstract compositions. My mission is to evoke emotion and spark curiosity through my art, with a focus on the impact of color on the viewer. “A dominant color possesses tremendous power in making a painting unique.” - Mary Bassi