Skip to main content

Influence and inspiration for visual artists

“An artist's influence is as subjective as art itself, but it is these influences that shape their creations and the manner in which their works are materialized. Some artists are inspired by the profound works left by masters that came before them, and others are shaped by their experiences and environment around them.”

From still life paintings to graphic design, the natural world is an endless source of inspiration for visual artists. Whether or not the natural world is the subject matter of your art, the colors, forms, rhythm and textures found in nature can inform almost any piece of creative art.”



Quote found on the Internet


Some of the people that influenced and inspired me include Mr. Marvin Sinn, Mr. Winston Kennedy, Mr. Jorge Somarriba, Ms. Georgette Powell and Ms. Lois M. Jones.

Mr. Marvin Sin

"Born and raised in the Bedford-Stuyvesant community of Brooklyn, New York, Marvin Sin is a cultural activist and a self-taught artist working in leather. His hobby became a lifelong passion during the Black Arts movement of the early 1970s. He recalls, “The artists I met in Harlem during that period were a great influence on me. The Weusi Artists of Harlem, the Africobra Artists of Chicago, the Black Theater Movement, the poetry, dance, fashion, and general spirit of celebrating African culture shaped my creative and political sensibilities powerfully and permanently.” He found leather to be a medium that involved drawing, painting, sculpting, and that enabled him to master a craft that was utilitarian. Deeply committed to serving the African American community, Sin has advocated and organized for a wide range of issues combining art/craft, culture, economics, and politics."


Mr. Winston Kennedy


"Winston Kennedy, an artist and art historian, is professor emeritus from Howard University, Washington, DC. There, he taught printmaking, art management and photography, and other courses for 29 years. He was, during part of that time, chairman of the Art Department and director of the Gallery of Art. As an artist he has exhibited his prints in galleries and museums in the United States, South America and Europe."


Mr. Jorge Somarriba


"Jorge Somarriba, a Nicaraguan born artist who lives in Gaithersburg. He immigrated to the United States in 1975 and has taught art at the Bell Multicultural High School and Norwood School in Bethesda.”


Ms. Georgetta S. Powell


"Georgette Seabrook Powell was born in Charleston, SC in 1916 and raised in New York City. After graduating from The Cooper Union School of Art, she became active in the Harlem Arts Workshop. Powell was inspired by Augusta Savage (A’25), a young sculptor and the newly appointed director of the Harlem Arts Workshop. Powell learned from the dedication Savage gave to teaching arts in the Harlem community, and teaching became a cornerstone in her life as well.


Powell was employed by the WPA, along with a team of artists, to create a series of murals for the Harlem Hospital Art Project. Her murals, titled Recreation in Harlem, depicted the daily lives, struggles and joys of Harlem’s residents. Once the murals had been completed, they were pronounced “too controversial” by the hospital’s director, who insisted they be painted over. The matter became a life-defining battle for her. She insisted that she was free to create her vision of the Harlem community, and refused to alter the murals. Ensuing court battles finally found in favor of Powell. Half a century later, her murals are a silent tribute to her fortitude as both an artist and community activist. The murals express the quintessential flavor of the period. Over many years, they have begun to deteriorate, but Harlem Hospital has raised funds and full restoration of the murals is expected.


Powell continued painting after she became a busy homemaker, married a doctor in 1936, and focused on raising three children and caring for her aging mother. She continued her involvement with neighborhood beautification projects and cultural activities for children. By the early 1950s, New York’s distinguished Turtle Bay Music School had developed a program using art as a means of therapy. Powell was accepted as a student and, after she completed studies there, became an art therapist. While studying she met a psychologist from Washington and together they began the first journal dedicated to their subject, the American Journal of Art Therapy.


After 40 years living in New York, Powell and her husband relocated to Washington D.C. She volunteered at area hospitals until a former teacher, a supervisor of the occupational therapy department at D.C. General Hospital, hired her as her assistant in the acute psychiatry division.

She became a clinical supervisor of art therapists at George Washington University and established an annual community program, Art in the Park. Powell founded and taught at Tomorrow’s World Art Center, a community program that offered art therapy and education services to the young and elderly of metropolitan area Washington D.C.


Powell also studied stage design and lighting at Fordham University and received a B.F.A. from Howard University’s College without Walls. Her paintings have been exhibited throughout the United States for more than half a century. In 1995, the Smithsonian Institution’s Anacostia Museum in Washington mounted a two-month retrospective of her paintings.

Powell is the recipient of many awards citing her lifetime of achievements in art, as a dedicated teacher, community leader and art activist. She was honored by the late President Ronald Reagan whose 1986 letter states, “You are the rare combination, a doer and a teacher.” Powell received the 2003 Visionary Leadership Project, Legacy Keeper award presented at The John F. Kennedy Center for the Performing Arts and the Library of Congress.

In April 2008, The Cooper Union presented Georgette Seabrook Powell with a Lifetime Achievement Award."


Ms. Lois M. Jones


“Ms. Lois M. Jones has championed the international artistic achievement of African-American art. She has also been an important role model for other African-American artists, particularly those involved with her design and watercolor courses at Howard University from 1930 to 1977.

Popular posts from this blog

Visual art and artistic process

  My visual art is crafted entirely on my computer, utilizing various digital software tools that allow for a wide range of creative expression. This modern approach enables me to explore different techniques and styles, pushing the boundaries of traditional art forms. The digital medium provides me with the flexibility to experiment and refine my work in ways that are both innovative and efficient.  Previously, my artistic process took place on the floor of my home, where I balanced both my workspace and creative endeavors. This intimate setting fostered a unique environment that encouraged spontaneity and inspiration.   Transitioning from a physical workspace to a digital platform has transformed my artistic practice, enabling me to create with greater precision and versatility. Selected Expertise & Skills: Proficient in various digital software tools for creating artwork Experienced in experimenting with different techniques and styles Skilled in utilizing th...

Movement Symbolism Hues

Movement Symbolism Hues. Digital art created on canvas. September 25, 2024. Afrika Abney “I select the colors yellow, pink, and blue to symbolize key themes in social movements, activism, and social justice, respectively. Yellow represents the vibrant energy of social movements, while pink embodies the spirit of activism, and blue signifies the pursuit of social justice, particularly in the context of racism, injustice, and discrimination. Each of these colors serves as a powerful visual representation of the struggles. Together, these colors form a cohesive narrative that highlights the interconnectedness of social movements, activism, and the quest for justice.”

Kuumba Suras/The Figures of Africa

  When I was working at the Phillips Collection, I exhibited Kuumba Suras/The Figures of Africa in 2000. •"James McLaugin Memorial Staff Show." Phillips Collection, Washington, DC. 2000 GALLERY ASSISTANT .  Phillips Collection. 2000.  Responsible for monitoring and keeping artwork safe during gallery hours.   I participated in the  James McLaugin Memorial Staff Show which took place at the Phillips Collection in 2000. This was an interesting opportunity for me because I not only participated in the art exhibit, but was also a staff member at the Phillips in 2000. "For more than 25 years, The Phillips Collection has held a staff show to feature the works of artists employed at the museum. In 1984, the staff show was endowed by the family of James McLaughlin, an accomplished still-life painter who worked at the museum for 50 years. In 1932, McLaughlin began his association with Duncan Phillips as a student at the Phillips Gallery Art School. Until his death in 198...

Energetic Color Canvas

  Energetic Color Canvas. Digital art created on canvas. September 8, 2024. Afrika Abney  "Energetic Color Canvas is a vibrant composition that showcases a dynamic interplay of hues, prominently featuring shades of orange, yellow, yellow-green, and blue. Each color is meticulously applied to create a sense of movement and vitality, inviting viewers to engage with the artwork on a deeper emotional level. The warm tones of orange and yellow evoke feelings of warmth and enthusiasm, while the cooler blue adds a refreshing contrast, balancing the overall energy of the piece.”

The significance of repetition

The significance of repetition. Digital art created on canvas. September 28, 2024. Afrika Abney For those that do not have a background in fine art, specifically abstract painting, one needs to understand that creating art is all about repetition. Use of materials and tools to depict emotion and thoughts through color, form and shape. “The significance of repetition in both abstract digital art and traditional abstract painting cannot be overstated, as it serves as a fundamental principle that enhances the viewer's experience and understanding of the artwork. In abstract digital art, repetition can manifest through the use of recurring shapes, colors, or patterns, creating a rhythm that draws the viewer's eye and encourages deeper engagement with the piece. This technique not only establishes a sense of harmony and balance within the composition but also allows for the exploration of variations and transformations, inviting the audience to perceive subtle differences and nuanc...

Qualifications of professional visual artist

“A Professional Artist works on a body of work over many years. A Professional Artist is also concerned about selling the work to make a living. A professional Artist is driven by passion, determination and set targeted goals. There are no formal educational requirements for becoming a visual artist. However, most artists benefit from training, and most attend art schools.” Bachelor of Fine Arts from the Corcoran School of the Arts, 1997. Dedicated and professional who possesses extensive talents and skills in creating digital art, abstract collages and abstract paintings. Previously created pottery, printmaking, and sculptures. Additionally has extensive knowledge and experience in photography, graphic design and consulting. Demonstrates exceptional creativity, attention to detail, and time management skills, alongside a proven ability to solve problems and think critically. Known for self-motivation, emotional intelligence, and a commitment to innovation. Holds a high school diploma...

Azure Murmur

  Azure Murmur. Digital art created on canvas.September 4, 2024. Afrika Abney  “Azure Murmur embodies a serene and peaceful essence, conjuring images of a gentle and comforting atmosphere linked to various hues of blue, including deep navy, delicate light blue, and cool steel blue. This combination of colors creates a harmonious visual experience that promotes relaxation and a sense of well-being. The interplay of these shades can evoke feelings of stability and calmness.”

Tranquil Skies

  Tranquil Skies. Digital art created on canvas. August 14, 2024. Afrika Abney “The hue of blue has long been associated with various celestial phenomena, and one of the most captivating is its connection to the Waxing Gibbous Moon. This phase of the moon, characterized by its almost full appearance, casts a serene and enchanting glow that often evokes feelings of tranquility and introspection. The deep, rich tones of blue can mirror the vastness of the night sky, creating a harmonious relationship between the color and the moon's luminous presence. As the moon waxes, it becomes a symbol of growth and potential, much like the way blue can represent depth and stability. Waxing Gibbous Moon, the color blue takes on a deeper significance. This phase occurs just before the full moon, when the moon is illuminated more than half but less than fully, symbolizing a time of anticipation and preparation. The blue light that filters through the atmosphere during this phase can evoke a sense o...

Orchard Illustrations

Orchard Illustrations. Digital art created on canvas. August 24, 2024. Afrika Abney Orchard Illustrations is a digital drawing of imagery of a fruit orchard, emphasizing the natural beauty of fruit in artistic form.

Pushing boundaries and challenging artistic norms

Pushing boundaries and challenging artistic norms. Digital art created on canvas. August 3, 2024. Afrika Abney Pushing boundaries and challenging artistic norms serves as a testament to my commitment to pushing boundaries and challenging the norms of traditional artistic expression. The black canvas not only provides a stark contrast to the vibrant elements that may be incorporated within the piece but also invites viewers to delve deeper into the emotional and conceptual layers that the artist has meticulously crafted. The choice of a black background is intentional, as it symbolizes the infinite possibilities of creativity and the depth of thought that can emerge from the void. My work is characterized by a relentless pursuit of redefining artistic conventions, and this piece exemplifies that ethos. By utilizing a black background, the artist not only enhances the visual impact of the piece but also creates a space for reflection and introspection. This artwork invites viewers to co...